“Documentar algo que no existe”: los modelos discursivos como apparatus en Vampyroteuthis Infernalis
The concept of “apparatus”, proposed by Vilém Flusser in his Towards a Philosophy of Photography, implies an analysis of the “production logic” of the artistic work, which Flusser proposed thinking about photography. However, this concept also offers a possibility of reading his Vamyproteuhis Infernalis as a rebellion against the discursive rules that themselves work as an “apparatus” . By questioning the rules of scientific, philosophical, didactic and literary discourses, Flusser plays with the mechanisms of the discourse and deactivates their automatisms. This leads to questions like the boundaries of art, creation as a form of knowledge, or imitation and scientific study of reality as a need in artistic, literary creation, and methodologies of “scientific creation”.
Imagem como língua: uma leitura flusseriana
This article explores the concept of language as shown by Flusser in his book Língua e Realidade in order to explain that it is a comprehensive and symbolic structure which can be undertood in a restricted or in a broad way.
A arte e o vazio da cultura
This essay explores the relation between art and culture by taking into account the profound ambiguity inherent in any artwork. This very ambiguity makes it possible to understand art works as part of a cultural process and as modifiers of this process.
O belo è elevado, o agradavel é conservador
This essay explores the relation between art and culture by taking into account the profound ambiguity inherent in any artwork. This very ambiguity makes it possible to understand art works as part of a cultural process and as modifiers of this process.