Coloured technical images: On the Role of Colour in Vilém Flusser’s Work
Flusser wrote about colour from different points of view His interdisciplinary approach defies clear-cut borders by contaminating that which is generally thought to be separated. It rather seeks to create complex syntheses that play a privileged role in his texts on colour. In the same way, colours do not stick to the forms into which one tries to imprison them. They overflow, blend and bleed into each other. This essay focuses on four aspects of colour: the connection of black and white in photography and discourses on “racial” differences; the role of greyness and its relationship to colour luminosity in the description of culture and politics; the presence of colour in nature, landscape, and the animal world; Flusser’s use of colour in a redefinition of the notion of technical images in the context of the project of the Casa da Cor.