Libertad y poshistoria en la filosofía de la fotografie de Vilém Flusser
The object of this research is to trace Flusser’s thoughts on freedom and history as they appear in his philosophy of photography. The investigation focusses on the function of the author of the photograph in relation to apparatuses and programs. It extends, as I will try to show, to the activity of the spectator and of everyone who interacts with images. I follow Flusser’s methodology, which is to relate the philosophy of photography to the theory of games. And that's why I speak about the player, the toy and the game involved in photography. I think Flusser's main inspiration was Wittgenstein of the Tractactus and his theory of the emancipation of meaning from truth or factual falsity. Here I find the ontological key to his philosophy of photography as a philosophy of freedom.
Do Funcionário e de suas implicações
This article deals with job affairs and their socio-historical consequences. We will discuss how workers have been turned into a functionaries after the beginning of post-history by analyzing today’s society from the point of view of the relation between work and functioning. We will also discuss the consequences of the modifications that go with the shift into post-history and their epistemological and socio-cultural implications to provide an analysis of Flusser’s thinking on this matter.