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Vilém Flusser, die Dolomiten und das Urvieh oder: Die ästhetische Krankheit Patriotismus

“I had seen photos of Flusser before and imagined him quite differently: much taller and more imposing. But he was short, incredibly agile, with long slim fingers, the whole person was constantly on the move. … He raved about the beauty of Merano … he loved the Italian language and culture and the Tyrolean songs that I sang to him” (Matthias Schönweger). This article by Katharina Hohenstein, which highlights some aspects of Vilém Flusser’s stay in Merano, was published in the fifth issue of the trilingual magazine vissidarte in Merano in December 2009. We thank the publishers for the opportunity to publish it here again (Rainer Guldin).

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