Flusser-Quellen. Teil I: Vorwort des Vilém Flusser Archivs, Oktober 2017
Flusser-Quellen (Flusser-Sources) is a comprehensive list of all of Vilém Flusser’s texts published between 1960 and 2002. It includes essays, book chapters, books CDs in seven different languages. It also contains a list of all interviews and videos directly related to his person and his work. Flusser-Quellen was developed by Klaus Sander in collaboration with the Vilém Flusser Archive and Andreas Müller-Pohle’s European Photography. The original plan was to publish this material as a volume of Müller-Pohle’s Editions of Flusser, together with a CD-ROM version. The material can be accessed here: http://s3.amazonaws.com/arena-attachments/1485097/d85714e287d539db39da46f0e5198b20.pdf?1512484296
Flusser, music and me
O sete teso / O medo do Demo
Os Fundamentos Científicos da Comunicação. Uma crítica flusseriana a comunicólogos cearenses e seus desdobramentos
Little is known on Flusser´s activities after his return to Europe from Brazil in 1972 and before the end of the seventies – settling first in Italy, then in France. It is fairly unknown, for instance, that he wrote reviews of Brazilian books about media and communications in order to evaluate and indicate them or not for publication in France. Three of those books are A Comunicação do Grotesco, by Muniz Sodré; Sociedade de massa (Comunicação e Literatura), by Luiz Beltrão; and Fundamentos Científicos da Comunicação, by various authors. Since Flusser hardly makes reference to this activity in his works, those reviews are of special interest because they present him as a connoisseur of communication theory, including cybernetics, in critical dialogue with contemporary Brazilian and international theory. The reviews analyzed here also provide information about the reception and the history of communication sciences in this period.
Pensamento Poético e Pensamento Calculante: o Dilema da Cibernética e do Humanismo em Vilém Flusser
This paper discusses the complex and contradictory status of cybernetics in Flusser’s thought. These contradictions are, to a large extent, intrinsic to the cybernetic paradigm, as demonstrated by authors such as Katherine Hayles and Céline Lafontaine. The strange combination between the humanistic point of view and cybernetics’ destruction of the humanistic subject, already present in Norbert Wiener, engenders a permanent and creative tension within Flusser’s work. The article argues that it is this creative tension that allows Flusser to establish a dialogue with radically new models of subjectivity, while at the same time remaining faithful to what – according to him – characterizes the apex of human experience: freedom and the willingness to engage in a playful relationship with the surrounding environment.
Masks and Dances: Cybernetics and Systems Theory in Relation to Flusser's Concepts of the Subject and Society
This paper undertakes a close reading of Flusser’s tropes of “the mask” and “dances” to compare similarities between Fluss er’s formulation of the self and society and corresponding concepts in contemporary systems theory. Major concepts from cybernetics and systems theory such as feedback mechanisms, system and environment, and reciprocal development are illustrated through p assages from Laszlo, Maturana and Varela, and Luhmann and compared with Flusser, with the aim of demonstrating what is “cybernetic” in Flusser’s thought. Consideration is also given to the relationship between Flusser’s work and that of other contemporary social theorists who adopt systems theoretical approaches, such as Foucault , Deleuze, and Guattari.